Earthworms reed
Architects
Transmissions
Debates
herons Farmers
A poet techno feminists
artists
Seeds
New Agrarian Rituals
In the Belly is an artistic platform and a call to action to reconsider our food systems and the interdependencies that shape them. A beaming wooden boat moves food from a network of peasant farmers in Pajottenland* into the belly of the European Capital city of Brussels, bringing small-scale, local farmers into contact with the global flow of goods and foreign trade.
Amidst the already present theater of the canal, a rassemblement of farmers, seeds, artists, soil, the canal, poets, electromagnetic frequencies, solar energy, architects and techno-disobedients form the scene of a series of actions. Moving upon an unconventional, wooden canal boat in intimate relation, this constellation enables new imaginaries - through a slow, reflective process of repair, resilience and reflection on our habits of agri-cultural production.
In the Belly... facilitates the transition of local food transportation by using the already-in-place infrastructure of the Brussels-Charleroi canal. Farmer, Tijs Boelens of Degroentelaar farm coordinates the transportation of food grown by twelve farms from Halle to Brussels two times per week. Bundles of food are sorted and packed and paraded through the city by bike onto the shelves of cooperative stores and into collective kitchens.
The first season sets off with a program of food delivery, workshops, performances, artworks and debates – a platform for connecting cultural and artistic production with local food systems.
A diverse group of people and beings have collaborated to shape and facilitate an ecology of creative platforms that make up In the Belly. The project can be seen as an ongoing group residency and platform for exchange, debate and transformation.
In the Belly... was commissioned by GLUON in partnership with Innoviris, Good Food Brussels, VUB, EIT Food, and UGhent. This project has received funding from Innoviris, the National Lotery and S+T+ARTS (Science, Technology & the Arts), an initiative of the European Commission, launched under the Horizon 2020 research and innovation programme. Its purpose is to support collaborations between artists, scientists, engineers and researchers to develop more creative, inclusive and sustainable technologies
Sandrine Vokaer (Good Food Brussels), Marie-Carmen Bex (Innoviris), Carl Lachat (UGent), Julie Lebrun (EIT Food), Lynn Tytgat and Stephan Petermann.
In the Belly departs from Halle, Belgium two times per week. See link to the Calendar page for Schedule.
8h
Food Transport
Halle, Belgium
Futurefarmers is a working group founded in San Francisco in 1995. They are artists, architects, computer programmers, designers, farmers, scientists and anthropologists aligned through a common interest in creating frameworks of participation that facilitate encounter, exchange and tactile forms of inquiry. Their various practices coalesce in many forms - from the far reaching digital realms to the deeply rooted earthly domains. . Their temporary public art often evolves into permanent, durable programs which have influence on public policy and city design. Futurefarmers' work has been exhibited at the Whitney Museum of American Art, New York; the Museum of Modern Art, New York; the Solomon R. Guggenheim, New York; MAXXI | Museo Nazionale delle Arti del XXI Secolo, Rome.
DeGroentelaar is a small farm and part of a Pajottenland Grain Network and a network of farms in Pajottenland who grow and distribute organic food to Brussels weekly. Founder, Tijs Boelens has dreamt of using the existing infrastructure of the canal for food transit and as an act of engagement with consumers.
Caroline Profanter works in the fields of electroacoustic and acousmatic music as a composer and performer. She creates imaginary soundscapes and sonic narratives on the perceptional threshold of familiarity; using recorded sounds and noises taken from the context of the everyday, interweaved with electronically generated sound material often including feedback-systems and amplified objects, as well as multichannel speaker configurations. She collaborates frequently with other musicians and artists, and creates sound design for film and radio. She has performed in festivals such as Espace du Son, Wien Modern, Plage Sonore Le Havre, Sound Spaces, Transart Festival, The Acousmatic Project, Nuit Blanche Brussels, Semaine du Son, among others. She has released records on les albums claus, bb15, Takuroku and Iki Gaga. Caroline is part of the team of Q-O2 workspace for experimental music and sound art in Brussels.
ooooo.be re-appropriates tools and wireless communications, to short circuit patriarchal and capitalist neoliberal technologies. They are a transuniversal constellation hosted by Marthe Van Dessel and create interfaces, devices & protocols to instigate our urban and institutional hardware & software. They engage in the administrative, cultural, socio-political dimension of personal and collective identities. By triggering intersubjective alliances she confronts the 'self & other' with the commons, co-authorship and the redistribution into the public domain.
Inge Braeckman obtained a degree in Law and studied Germanic Languages. She has worked as a journalist and copywriter for the publishing house of art books, Ludion. During several years she wrote the exposition texts for Galerie De Zwarte Panter in Antwerp and art critics for
Lode Vranken has been installing situations of renewed socio-spacial dynamics amidst Futurefarmers projects since 1993. He received his masters in a UN Course on Human Settlements + Architectural Philosophy from the KU Leuven, Belgium and began teaching in 2005 as a Ned delegate at The Institute for Advanced Architecture of Catalonia, Barcelona, Spain and from 1993-94 at the Asian Institute for Technology in Bangkok, Thailand. Lode co-founded the architectural research coalition, De Bouwerij in Belgium focused on social living structures, passive housing, and zero-energy construction. He is also a partner of dearPigs in Belgium and a member of the The Ghent School for Metaphysics.
Gosie Vervloessem's artistic research focuses on the position of the researcher in times of multiple crises. Her work faces the challenges that arise within this role, and looks for new ways of producing knowledge. Her practice is an ongoing quest on finding tools to relate to a world that is messy and chaotic. Therefore she juggles with and re-interprets the practices of cooking, digesting, co-digesting, immersion or osmosis, as tools to literally embody that relation. In scrutinizing this relationship she focuses mainly on the concept of nature and tries to unravel the ideas that underpin this concept. In doing that, she identifies herself as a Sick Detective, a character that involves the vegetal kingdom as a possible ally in her research. Her work is highly inspired by plant biology, comic books, horror movies.
buratinas/nadine is a small solar-powered boat that functions as a short-term residency space. Artists are invited to explore Belgian waterways and to work with and in this specific landscape.
Vermont Sail Freight A hand-built, river boat made to sail seasonal food down the Hudson River, starting in Vermont to New York City.
If you would like to use the boat for programming or inventive transport, please email us!
*You will have to copy and paste the mails into your mail application and replace AT with @ and DOT with a period.
“A significant strand in cognitive science would consider the ship not as a thing, nor even a collection of objectively existing thing parts, but rather as an organizational structure that has perceptual continuity.”
McGilvray, James. Chomsky: Language, Mind and Politics
A 13 x 3.7 meter wooden, flat bottomed, canal boat with water reed roof moves through the former swamplands of Brussels pointing to the past and to the future extending metaphors of cultivation and to larger ideas of self-reliance and the foregrounding of organic processes in the development of land use, social relations, and cultural forms.